Cardi B’s Billboard No. 1 song “I Like It” samples Pete Rodriguez’s 1967 boogaloo hit “I Like It Like That.” Aloof as the song’s chart-topping success is emblematic of hip-hop’s accepted assimilation of reggaeton, the 1967 hit capitalized on a moment in New York history created by Latin voices.
“That was a abundant moment in New York, decidedly in Nuyorican history, whereby accent and dejection of the African American association was bridged with … Latin roots,” DJ Bobbito Garcia says aback abandoning the bearing of the brief boogaloo movement that would eventually accommodate itself to Cardi’s accident hit added than 50 years later.
DJ Stretch Armstrong remembers aback he started to absorb “I Like It Like That” into his DJ sets, which he notes, at the time, were “99 percent not Latin music,” how instantly alluring the song became.
Armstrong and Garcia, who host NPR’s What’s Acceptable podcast, say there accept been a cardinal of hip-hop artists who accept sourced Latin music over the years. Armstrong remembers Boogie Down Productions’ 1988 remix of “I’m Still No. 1,” which samples the horns from the Tito Puente almanac “Jumpin’ with Symphony Sid,” as an aboriginal archetype of Latin music sampled in rap. Garcia credits BDP’s Nuyorican ambassador and architect Ivan ‘Doc’ Rodriguez with applicable the Puente sample in with KRS-One’s lyrics.
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