The all-embracing Broadway box appointment slowed aftermost week, but some of the Street’s newer shows best up — amid them “Charlie and the Chocolate Factory” and “Groundhog Day,” as able-bodied as the assertive “Hello, Dolly!,” breaking yet addition abode record.
“Charlie and the Chocolate Factory” ($1,151,021) got its fair allotment of beat reviews (plus a scattering of cool ones) afterward its April 23 opening, but neither that nor aftermost week’s second-night columnist comps seemed to apathetic bottomward sales for the crowd-pleasing title, which climbed about 15% (or about $140,000) to move aback into the millionaires’ club. “Groundhog Day” ($755,009), which opened April 17, wasn’t as far up the chart, but it did hit its accomplished account so far — by a acceptable $100,000 — in the deathwatch of some arresting raves.
And again there was “Hello, Dolly!” ($2,105,474 for seven), which muscled up to the No. 2 atom on the Top 10 abaft “Hamilton” ($2,786,938). In the antecedent frame, the appearance had taken a tumble due to columnist comps and its aperture night, but aftermost anniversary it rebounded easily, hitting its accomplished numbers yet and ambience its newest abode almanac at the Shubert Theater.
New agreeable “Bandstand” ($508,757) managed to acceleration a bit alike in its aperture week, as did aftermost fall’s buzzmagnet “Dear Evan Hansen” ($1,235,972),
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