Twenty-five years ago this month, Nirvana appear their additional album, Nevermind, which unleashed grunge aloft the boilerplate and afflicted bedrock and cycle forever. While the music was absolutely groundbreaking, so was the record’s awning art: it showed a naked, 4-month-old, abysmal in water, pond appear a dollar bill absorbed to a angle hook. Back in 1992, EW got the central chance of how the iconic angel came calm through interviews with the columnist and art director. Revisit the chance below.
“Okay, bandy the babyish in the basin now.”
With those words, accurate by columnist Kirk Weddle, 4-month-old Spencer Elden was on his way to acclaim (though not fortune) as the babyish on the awning of Nirvana’s chart-topping album, Nevermind. You apperceive the picture: The little fella is abysmal in chlorinated depths, his babyish penis protrudes below his ample tummy, and his accoutrements are ample in that “please aces me up and backpack me out of the store” affectionate of way. Inches away, a dollar bill on a fishhook tempts him.
The angel has been interpreted by admirers as a allegory for Nirvana, a abecedarian bandage actuality reeled in by accumulated rock’s big bucks. But according to Geffen Records art administrator Robert Fisher, Nirvana’s advance singer-guitarist Kurt Cobain had apparent a documentary on babies actuality built-in underwater, and “thought the
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