Friday night (Oct. 10) was a acclaimed night at Nashville’s acclaimed Ryman Auditorium. It’s adamantine to believe, but it was the aboriginal time Loretta Lynn performed a abounding actualization at the admired venue.
Loretta Lynn Reflects on Religious Roots Ahead of Her Actuality Music Festival
Of course, Lynn has stood on date at the Ryman for abundant Grand Ole Opry performances, including her aboriginal Opry actualization immortalized in a affecting arena in her 1980 blur adventures Coal Miner’s Daughter. But Friday night she brought her abounding armory of allegorical hits and delivered an black to remember. Lynn will accomplish the additional sold-out actualization at the Ryman on Saturday night (Oct. 11).
The concert began with an accomplished aperture set by singer/songwriter Brandy Clark. Accompanied by accomplished guitarist Forrest Whitehead, Clark abounding the Ryman with her warm, able vocals and addled the admirers with her absorbing songwriting, aptitude heavily on songs from her acclaimed 2013 anthology 12 Stories. She opened with “Crazy Women” and followed with an absorbing analysis of rural activity with “Big Day in a Small Town.” Her set included “Mama’s Broken Heart,” a hit she co-wrote for Miranda Lambert, and “Better Dig Two,” which the Bandage Perry took to the top of the charts.
After singing “Get High” Clark accepted she was anxious assuming that cardinal at the Ryman, but “then
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