Does Josh Groban advertise tickets on Broadway? The acknowledgment is attractive like a yes, based on the agreeable first-week sales at the musical “Natasha, Pierre and the Great Comet of 1812.”
Headlined by Groban in his Broadway debut, “Great Comet” ($1,131,919) topped $1 actor in its aboriginal anniversary of previews and landed at No. 6 in the week’s Top 10. The musical, a pop-opera call of one area of “War and Peace,” became a buzzy hit with critics in two above-mentioned New York runs and an out-of-town engagement, but alike so, the show’s arbitrary city vibe and abundantly alien appellation seems like a boxy advertise on Broadway.
Judging from the numbers from its aboriginal eight previews, however, “Great Comet” might prove an abrupt box appointment contender. Those sales abstracts are acceptable helped forth by Groban’s fan base, as able-bodied as by an abnormal basement blueprint that could allure superfans to carapace out for premium, up-close-and-personal bench locations.
Along with the air-conditioned million-plus that “Great Comet” added to the Broadway pot came notable earnings from concert “Frankie Valli and the Four Seasons on Broadway” ($580,289 for aloof three performances), as able-bodied from “The Front Page” ($1,104,890), still able-bodied admitting its comped aperture night on Oct. 20; “Oh, Hello on Broadway” ($545,028), accepting
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