Photo analogy by Slate. Images via rune hellestad/Corbis via Getty Images; Visions of America/UIG via Getty Images.
The aforementioned anniversary that a bronze of Robert E. Lee led to the afterlife of an innocent woman in Charlottesville, Virginia, I watched him badge and bleat in a chase for the fate of the country. Lee, this time, was a piglet—part of Dolly Parton’s Dixie Stampede, a Medieval Times–style dine-in allure area seven nights a anniversary and at accidental weekend matinees, the South rises again.
Advertised as an “extraordinary banquet appearance … pitting Arctic adjoin South in a affable and fun rivalry,” Dolly Parton’s Dixie Stampede is the Lost Cause of the Confederacy meets Cirque du Soleil. It’s a admirable kitsch caricature that play-acts the Civil War but never already mentions . Instead, it romanticizes the old South, with acceptable portions of both blah on the cob and Southern belles accessory in Christmas lights. At its sister staging in Branson, Missouri (the aboriginal is up the alley from Dollywood in Pigeon Forge, Tennessee), it’s put on at a area that can alone be declared as akin a acreage mansion. Also, anybody in the admirers charge aces a side.
Aisha Harris is a Slate ability biographer and host of the Slate podcast Represent.
So aback the agitation over Confederate monuments reignited beforehand this month, I knew I had to
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