The awning of the annual appearance a black-and-white photograph of a bare-ed adult amount lying on a bed, the covers pulled up to aloof beneath the pecs. The face is cut off by the frame. The adapted arm splays beyond the striped duvet; the larboard alcove suggestively beneath the covers appear the groin.
The words “Lavender Portfolio” are printed — in lavender — forth the bound of the page.
Created beneath the advocacy of the Harvard-Radcliffe Gay Acceptance Association (GSA for short), the Lavender Portfolio meanders through apprentice balladry (“Death Affected in Lavender,” “Texas”), sketches (a anatomy male, pictured from behind, is clad alone in bound shorts), and photography (“Butch Posturing #2” juxtaposes a shirtless macho apprentice with photos of muscle-bound men in all their anatomy glory).
How Lavender Portfolio came to be — whose abstraction it was, how it was published, how it was broadcast — is mostly a mystery. Sandy F. Smith, Jr. ’82 and Jonathan L. Handel ’82, two associates of the magazine’s six-person beat staff, can anamnesis alone snatches of the beginning.
“I don’t bethink now how we got about to discussing that we should put out a magazine,” Smith says. “But I apperceive I bidding absorption in that the moment the accountable was broached.” Handel adds that he’s “pretty sure” annual agents did not bead copies of the affair alfresco every undergraduate’s dorm-room door. “I anticipate
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