The Chicago dejection already had their applicable abode in the Chicago History Museum.
But the baby breadth in the adeptness breadth of the history of Chicago exhibition tells aloof a fragment of the adventure of the music that’s become so carefully articular with the burghal — and so affecting in accepted music generally.
That changes Saturday, back the new “Amplified: Chicago Blues” opens at the North Side institution.
The museum’s aboriginal all-encompassing Chicago dejection exhibit, it’s an aesthetic presentation that, in the recording flat setting, includes stick-mounted electric guitars and acquaint in how to play, say, a archetypal 12-bar blues.
You can additionally ad-lib your own dejection moniker and anthology appellation and again email the almanac awning to yourself. Mine was “Good Side Man” — a little cocky, because that I had aloof abstruse accent guitar — by Sleepy Eyes Steven. Joy Bivins, the history building babysitter abaft “Amplified,” autonomous for “South Side Classics” by Big Baby Joy.
There’s no music on these albums, of course, but you can arch into the show’s bistro setting, get up on stage, and sing karaoke to tunes including “Sweet Home Chicago” and “Wang Dang Doodle.”
The body of the exhibition, however, is one of the abundant collections of dejection photography, the images fabricated bisected
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